Meeting in Music: Haydn: Symphonies

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Following the guide below you will be able to create the ultimate HQ rip and upload for sharing here at the Meeting in Music Internet Community or on your own blog if you have one.

RIPPING A CD USING EXACT AUDIO COPY (EAC)

1. Start Exact Audio Copy and load the clean and scratchless CD into you drive.
2. Pressing ALT+G will pull track and album info from the FreeDB database if this feature is set up properly.
3. If no info is found the CD is not registered in the database and you will have to type in the info manually.
4. Adjust the Drive Settings according to the model of your drive and enable the ”Create Log-file” option.
5. Adjust the Compression Settings to rip in Flac format at 768 kBit/s. Alternatively rip in the Ape fomat.
6. Rip the CD by pressing Action -> Test & Copy Image & Create CUE Sheet -> Compressed...
7. Check the log-file to see if any ripping errors or AccurateRip inaccuracies were registered.

SCANNING THE COVERS OF THE ALBUM

1. Scans of the front and back covers should be included if available as should the booklet. 300dpi is standard.

COMPRESSING THE FOLDER USING WINRAR

1. Wrap the audio files and images in a folder marked the composer and album name etc.
2. Set Compression method to ”Store” and the volume size to 200000000. Add a 3% recovery record.
3. Compress the folder using a not-too-obvious filename.

UPLOADING TO A FILEHOST AND SHARING WITH THE WORLD

Now all you need to do is to upload the rar-files to a filehost of your choice. Mega.nz is the standard and most stable option but there are many others and some services even feature upload to multiple filehosts. Finally the download links are ready to be presented on your blog.

THE MEDIEVAL ERA (600 - 1450)

At around 500 AD, western civilization began to emerge from the period known as “The Dark Ages”, the time when invading hordes of Vandals, Huns and Visigoths overran Europe and brought an end to the Roman Empire. For the next ten centuries, the newly emerging Christian Church would dominate Europe, administering justice, instigating “Holy” Crusades against the East, establishing universities, and generally dictating the destiny of music, art and literature

During this time, Pope Gregory I is generally believed to have collected and codified the music known as Gregorian Chant, which was the approved music of the Church. Much later, the University at Notre Dame in Paris saw the creation of a new kind of music called organum.

Secular music was sung all over Europe by the troubadours and trouvères of France, and it was during the Middle Ages that western culture saw the arrival of the first great name in music, Guilliame de Machaut.

THE RENAISSANCE ERA (1450 - 1600)

Generally considered to be from c.1420 to 1600, the Renaissance (which literally means “rebirth”) was a time of great cultural awakening and a flowering of the arts, letters, and sciences throughout Europe.

With the rise of humanism, sacred music began for the first time to break free of the confines of the Church, and a school of composers trained in the Netherlands mastered the art of polyphony in their settings of sacred music. One of the early masters of the Flemish style was Josquin des Prez. These polyphonic traditions reached their culmination in the unsurpassed works of Giovanni da Palestrina.

The late Renaissance also saw in England the flourishing of the English madrigal, the best known of which were composed by such masters as John Dowland, William Byrd, Thomas Morley and others.

THE BAROQUE ERA (1600 - 1750)

Named after the popular ornate architectural style of the time, the Baroque period (c.1600 to 1750) saw composers beginning to rebel against the styles that were prevalent during the High Renaissance. Many monarchs employed composers at their courts, where they were little more than servants expected to churn out music for any desired occasions. The greatest composer of the period, Johann Sebastian Bach, was such a servant. Yet the best composers of the time were able to break new musical ground, and in so doing succeeded in creating an entirely new style of music.

The instrumental concerto became a staple of the Baroque era, and found its strongest exponent in the works of the Venetian composer Antonio Vivaldi. Harpsichord music achieved new heights, due to the works of such masters as Domenico Scarlatti and others. But vocal and choral music still reigned supreme during this age, and culminated in the operas and oratorios of German-born composer George Frideric Handel.

THE CLASSICAL ERA (1750 - 1820)

From roughly 1750 to 1820, artists, architects, and musicians moved away from the heavily ornamented styles of the Baroque and the Rococo, and instead embraced a clean, uncluttered style they thought reminiscent of Classical Greece.

At this time the Austrian capital of Vienna became the musical centre of Europe, and works of the period are often referred to as being in the Viennese style. Composers came from all over Europe to train in and around Vienna, and gradually they developed and formalized the standard musical forms that were to dominate European musical culture for the next several decades. The Classical period reached its majestic culmination with the masterful symphonies, sonatas, and string quartets by the three great composers of the Viennese school: Franz Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

During the same period, the first voice of the burgeoning Romantic musical ethic can be found in the music of Viennese composer Franz Schubert.

THE ROMANTIC ERA (1820 - 1910)

The earliest Romantic composers were all born within a few years of each other in the early years of the nineteenth century. These include the great German masters Felix Mendelssohn and Robert Schumann; the Polish poet of the piano Frédéric Chopin; the French genius Hector Berlioz; and the greatest pianistic showman in history, the Hungarian composer Franz Liszt. The field of Italian opera was dominated by Giuseppe Verdi, while German opera was virtually monopolized by Richard Wagner.

Composers like Antonin Dvorak began looking for ways in which they could express the musical soul of their homelands. Legends were therefore used as plots for operas, and folk melodies and dance rhythms were frequently used as inspiration for symphonies and instrumental music.

With the continued enhancement of instruments, plus the invention of new ones, the late Romantic composers of the second half of the nineteenth-century created richer and ever larger symphonies, ballets, and concertos. Two of the giants of this period are the German-born Johannes Brahms and the great Russian melodist Peter Ilyich Tchaikovsky.

THE EARLY 20TH CENTURY ERA (1910 - 1960)

In the early part of the twentieth century music became either outwardly expressive (as in the early symphonic poems of Richard Strauss, the huge symphonies of Gustav Mahler, or the operas of Giacomo Puccini), or more introverted (as in the so-called “impressionist” music of Claude Debussy). The previous century’s tide of Nationalism found a twentieth century advocate in the Hungarian Béla Bartók.

In a time of deepening psychological awareness, the expressionistic music of Arnold Schoenberg and his disciples germinated and flourished for a time.

Twentieth-century music has seen a great coming and going of various movements, among them post-romanticism, serialism and neo-classicism in the earlier years of the century, all of which were practiced at one time or another by Russian composer Igor Stravinsky.

Many of the greatest and best-known composers of the century, including Russian composers Sergei Rachmaninov, Sergei Prokofiev, and Dmitri Shostakovich along with British composers William Walton and Benjamin Britten were those who wrote music directly descended from the approved models of the past, while investing these forms with a style and modernistic tone of their own.

THE LATE 20TH CENTURY ERA (1940 - 2000)

Composers of this era sought to free music from its rigidity, placing the performance above the composition. Similarly, many composers sought to break from traditional performance rituals by incorporating theatre and multimedia into their compositions, going beyond sound itself to achieve their artistic goals. In some cases the line is difficult to draw between genres. Composers were quick to adopt developing electronic technology. As early as the 1940s, composers such as Olivier Messiaen incorporated electronic instruments into live performance. Recording technology was used to produce art music, as well.

The musique concrète of the late 1940s and ’50s was produced by editing together natural and industrial sounds. Steve Reich created music by manipulating tape recordings of people speaking, and later went on to compose process music for traditional instruments based on such recordings. Other notable pioneers of electronic music include Edgard Varèse, Karlheinz Stockhausen, Luigi Nono, and Krzysztof Penderecki.

As more electronic technology matured, so did the music. In the 1950s aleatoric music was first championed by American composer John Cage. Early minimalist compositions of the 1960s such as those by Terry Riley, Steve Reich, and Philip Glass stemmed from aleatoric and electronic music.

THE CONTEMPORARY ERA (from 1975)

In the broadest sense, contemporary music is any music being written in the present day. In the context of classical music the term has been applied to music written in the last quarter century or so, particularly works post-1975. Minimalism was practiced heavily throughout the latter half of the century and has carried over into the 21st century, with composers like Arvo Pärt, Henryk Górecki and John Tavener working in the more popular “mystic minimalism” variant.

Recently there has been increasing stylistic variety, with far too many schools of composition to name or label. However, in general, there are three broad trends. The first is the continuation of modern avant-garde traditions, including musical experimentalism. The second are schools which sought to revitalize a tonal style based on previous common practice. The third focuses on non-functional triadic harmony, exemplified by composers working in the minimalist and related traditions.

12/11/2012

Haydn: Symphonies - Kuijken

Franz Joseph Haydn (1732-1806)
Symphonies Nos. 26, 52 & 53 (1)
Symphonies Nos. 82-87 (2 &3)
Symphonies Nos. 88, 89 & 92 (4)
Symphonies Nos. 90 & 91 (5)
Symphonies Nos. 93, 94 & 95 (6)
Symphonies Nos. 96, 97 & 98 (7)
Symphonies Nos. 99 & 100 (8)
Symphonies Nos.101 & 102 (9)
Symphonies Nos.103 & 104 (10)

(Posted in collaboration with member Jumping for Joy, I believe this is the first posting of all 10 discs in a single post)

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Franz Joseph Haydn (1732-1806)
Symphonies Nos. 26, 52 & 53
Sigiswald Kuijken, La Petite Bande
Virgin Classics "Veritas" VC 7 90743-2 (1988)

(Posted in collaboration with member Jumping for Joy)

Download

[Ape & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos. 82-87 "Paris"
Sigiswald Kuijken, La Petite Bande
Virgin Classics "Veritas x2" 7243 5 61659 2 (1989)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos. 88, 89 & 92
Sigiswald Kuijken, La Petite Bande
Virgin Classics "Veritas" VC 7 91799-2 (1992)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos. 90 & 91
Sigiswald Kuijken, La Petite Bande
Virgin Classics "Veritas" VC 7 91141-2 (1990)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos. 93, 94 & 95 "Salomon"
Sigiswald Kuijken, La Petite Bande
Deutsche Harmonia Mundi 77275-2 (1993)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos. 96, 97 & 98 "Salomon"
Sigiswald Kuijken, La Peitite Bande
Deutsche Harmonia Mundi 77294-2 (1994)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos. 99 & 100 "London"
Sigiswald Kuijken, La Peitite Bande
Deutsche Harmonia Mundi 77328-2 (1995)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos.101 & 102 "London"
Sigiswald Kuijken, La Peitite Bande
Deutsche Harmonia Mundi 77351-2 (1995)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

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Franz Joseph Haydn (1732-1806)
Symphonies Nos.103 & 104 "London"
Sigiswald Kuijken, La Peitite Bande
Deutsche Harmonia Mundi 77362-2 (1997)

(Posted in collaboration with member Jumping for Joy)

Download

[Flac & Scans]

37 comments:

duckjammy said...: This comment has been removed by the author.; 11 December 2012 at 00:02
Cristto said...: Thank you duckjammy and Jumping for Joy for posting all 10 CD's of Haydn's Symphonies conducted by Sigiswald Kuijken. I have some of these but not all.; 11 December 2012 at 04:40
theblueamos said...: Thank you duckjammy and Jumping for Joy.I will go through them on by one,Im shure the enjoyment is immense.All the best from jerusalem.; 11 December 2012 at 05:10
Sandflyer said...: Many, many thanks for these, but filepost...
I get 20kb/s on a good day...; 11 December 2012 at 08:41
Vivelo said...: Thank you both, lovely collection! I think Filepost is a good choice for these times, I suppose links will not disappear.; 11 December 2012 at 10:30
Sandflyer said...: Well, yes. To be fair, as sloooooooow as they are, FP downloads never break off in the middle. So sometimes it's just a good idea to let the download run and do something else or just leave the computer on overnight.; 11 December 2012 at 10:36
Kwork said...: Thank you very much! One of my favorite offerings in quite a while. This post is truly appreciated. Any Haydn on period instruments is a plus. I only wish that someone could have finished the whole set, either Kuijken, Goodman, Hogwood, etc. I appreciate what we have though for sure.; 11 December 2012 at 13:42
ryfky said...: Please, decrypt these files!! It is almost impossible to download them. Thanks for sharing.; 11 December 2012 at 15:12
duckjammy said...: password: kpbh; 11 December 2012 at 16:17
ryfky said...: I see the password. Not that. I mean: reupload please the files without any password - this way it would be possible to download them a bit faster than 20 kb/s. Now I need almost one week to download these files. Thanks.; 11 December 2012 at 18:51
duckjammy said...: To those unhappy with filepost: putting code (a DL password) on each file allows you to avoid captchas and download automatically, one file after another. In JDOWNLOADER, right click on each file and find « SET DOWNLOAD PASSWORD » in the dropdown menu. Click on on that and enter the password (kpbh) in the space provided for each file. you can now walk away and let JDOWNLOADER and filepost work together and download your files worry free.; 11 December 2012 at 22:01
zardoz said...: thanks , but filepost is shit; 12 December 2012 at 10:21
alekdov said...: Duckjammy & Jumping for Joy, many thanks for sharing!; 12 December 2012 at 18:20
Pedro said...: @duckjammy: querido amigo, me has dado muchas satisfacciones con tu buena música. Pero debo confesar que NUNCA hubiera pensado que usarías EL PEOR servidor de uso gratuito como ÜNICA alternativa... Lamentablemente comparto lo que han dicho otros amigos: a 8 Kb/s es IMPOSIBLE descargar nada. Ojalá puedas ofrecer tus trabajos como anteriormente lo hacías...; 17 December 2012 at 18:49
duckjammy said...: @ Pedro: Esta no es mi carga. Esto se publica como un collboration. Yo suelo usar con la opción megaupload hotfile para mis posts.; 18 December 2012 at 19:06
Pedro said...: @duckjammy: es cierto!!! disculpa mi comentario, fue apresurado... Y muchas gracias nuevamente por toda la excelente música que nos compartes desde hace tiempo, querido amigo.; 19 December 2012 at 15:02
duckjammy said...: @Pedro: Es para mí un placer; 2 January 2013 at 22:15
Anonymous said...: Hi ! Can anybody reupload all the dead links ? Many thanks !!!; 28 March 2016 at 09:08
alborada said...: Please, could anybody reupload this one: Haydn, Symphonies Nos. 82-87 "Paris", Kuijken? Many thanks in advance!; 18 April 2016 at 08:40
DutchPublisher said...: New links provided by Thomas Cadfael; enjoy the music!; 10 April 2018 at 22:25
jorge said...: Many Thanks !!; 11 April 2018 at 08:27
Alex said...: Very sincere thanks for the repost. A treasurable set, beautifully played. Howard.; 11 April 2018 at 15:12
chrisc said...: Thank you very, very much Dutchpublisher and Thomas Cadfael. It's wonderful for latecomers to this blog (like me) to see great posts from the past coming back to life.; 11 April 2018 at 16:52
duckjammy said...: This comment has been removed by the author.; 4 November 2018 at 22:40
norman said...: Thanks a lot for the music and zippyshare links!!!; 4 November 2018 at 23:43
TBGRAD said...: Thank you duckjammy for reuploading them. It might not be a coincidence that I was looking for them and you decided to reupload them last night. Anyway, much obliged to your kindness and your discretion. Best regards.; 5 November 2018 at 08:45
guiller said...: Many thanks!!!; 6 November 2018 at 00:51
Karl Franz Friedrich Brandt said...: @duckjammy: please, re-up Sigiswald Kuijken - Haydn - London Symphonies! Links are dead.; 4 December 2020 at 20:00
azuco said...: All links are down.
Please re-up !
Thanks; 7 June 2021 at 04:27
duckjammy said...: Symphonies Nos. 26, 52 & 53
https://mega.nz/folder/qj5k3aDa#YfaUjP_nxlkxwTgdwOyFpQ

Symphonies Nos. 82-87 (My Rip)
https://mega.nz/folder/vnxRCIqb#Lc63ix-ERwRt10qtimWzJQ

Symphonies Nos. 88, 89 & 92 (My Rip)
https://mega.nz/folder/Kv4WnK6B#fjdZOppDHNyGZJRre0CdDw

Symphonies Nos. 90 & 91 (My Rip)
https://mega.nz/folder/mrxQCSzI#qB-5x3EW6fgmwZ6-hgos5g

Symphonies Nos. 93, 94 & 95
https://mega.nz/folder/jzIm1LhT#BzW7rFAjVUwM5HXyrMiHjg

Symphonies Nos. 96, 97 & 98
https://mega.nz/folder/T2IiWTzD#YKwmNQqtdZAVrCyFwaoclQ

Symphonies Nos. 99 & 100
https://mega.nz/folder/jzRCjJQT#u_mI4ZBp8ymH-zDkxNB6_g

Symphonies Nos.101 & 102
https://mega.nz/folder/HvpwHLCR#fd0yV1NczRRg8C6LpF7yjQ

Symphonies Nos.103 & 104
https://mega.nz/folder/qr5AFarb#TpYX9dTQmafI1Yt14aw5cA; 7 June 2021 at 12:10
jimtheobscure said...: Thanks, Duckjammy - there are a couple here I have't heard; 8 June 2021 at 01:36
felonias said...: The second link (82 & 87) don't works.; 13 June 2021 at 09:24
duckjammy said...: @felonias: The link does work. I just tried downloading "as zip" and with the Jdownloader and they both worked. There must be something wrong on your end. Sorry, I cannot help you.; 13 June 2021 at 11:07
felonias said...: duckjammy: You are right. Thank you for answering.; 14 June 2021 at 08:23
azuco said...: Thank you !
Very nice !!; 23 June 2021 at 20:04
Joe Paris said...: Thanks duckjammy for reuploading this complete set of Haydn symphonies !; 30 September 2021 at 16:04
LAVALLADE Didier said...: Here is a nice gift for Christmas. Happy Xmas and Happy New Year to both of you...; 15 December 2021 at 08:16