Meeting in Music: Walton - Viola Concerto, Facade & Hindemith Variations

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Following the guide below you will be able to create the ultimate HQ rip and upload for sharing here at the Meeting in Music Internet Community or on your own blog if you have one.

RIPPING A CD USING EXACT AUDIO COPY (EAC)

1. Start Exact Audio Copy and load the clean and scratchless CD into you drive.
2. Pressing ALT+G will pull track and album info from the FreeDB database if this feature is set up properly.
3. If no info is found the CD is not registered in the database and you will have to type in the info manually.
4. Adjust the Drive Settings according to the model of your drive and enable the ”Create Log-file” option.
5. Adjust the Compression Settings to rip in Flac format at 768 kBit/s. Alternatively rip in the Ape fomat.
6. Rip the CD by pressing Action -> Test & Copy Image & Create CUE Sheet -> Compressed...
7. Check the log-file to see if any ripping errors or AccurateRip inaccuracies were registered.

SCANNING THE COVERS OF THE ALBUM

1. Scans of the front and back covers should be included if available as should the booklet. 300dpi is standard.

COMPRESSING THE FOLDER USING WINRAR

1. Wrap the audio files and images in a folder marked the composer and album name etc.
2. Set Compression method to ”Store” and the volume size to 200000000. Add a 3% recovery record.
3. Compress the folder using a not-too-obvious filename.

UPLOADING TO A FILEHOST AND SHARING WITH THE WORLD

Now all you need to do is to upload the rar-files to a filehost of your choice. Mega.nz is the standard and most stable option but there are many others and some services even feature upload to multiple filehosts. Finally the download links are ready to be presented on your blog.

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The instrumental concerto became a staple of the Baroque era, and found its strongest exponent in the works of the Venetian composer Antonio Vivaldi. Harpsichord music achieved new heights, due to the works of such masters as Domenico Scarlatti and others. But vocal and choral music still reigned supreme during this age, and culminated in the operas and oratorios of German-born composer George Frideric Handel.

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During the same period, the first voice of the burgeoning Romantic musical ethic can be found in the music of Viennese composer Franz Schubert.

THE ROMANTIC ERA (1820 - 1910)

The earliest Romantic composers were all born within a few years of each other in the early years of the nineteenth century. These include the great German masters Felix Mendelssohn and Robert Schumann; the Polish poet of the piano Frédéric Chopin; the French genius Hector Berlioz; and the greatest pianistic showman in history, the Hungarian composer Franz Liszt. The field of Italian opera was dominated by Giuseppe Verdi, while German opera was virtually monopolized by Richard Wagner.

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THE EARLY 20TH CENTURY ERA (1910 - 1960)

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Recently there has been increasing stylistic variety, with far too many schools of composition to name or label. However, in general, there are three broad trends. The first is the continuation of modern avant-garde traditions, including musical experimentalism. The second are schools which sought to revitalize a tonal style based on previous common practice. The third focuses on non-functional triadic harmony, exemplified by composers working in the minimalist and related traditions.

8/20/2014

Walton - Viola Concerto, Facade & Hindemith Variations - Andrew Litton

01. - 11. William Walton - Facade Suites I & II [22'04]
12. - 14. William Walton - Viola Concerto [24'14]
15. - 25. William Walton - Variations on a Theme of Hindemith [24'37]

Paul Neubauer (viola), Bournemouth Symphony Orchestra conducted by Andrew Litton

(flac & scans)

Decca 470 511-2 (recorded March 1996; CD3 of 4-CD set reissued 2002)

Recording venue: Guildhall, Southampton
Recording engineer: Simon Eadon; Producer: Chris Hazell

As I am away from my computer for a protracted period, I am posting individual discs from two boxed sets during my absence for the nine weeks. Here is the third part of the second set.

This is probably the most successful overall cycle of Walton orchestral works, supplemented by the choral masterpiece Belshazzar's Feast. A British orchestra in fine condition under its then American chief conductor, Andrew Litton. Litton demonstrates a strong affinity with Walton's music as did Andre Previn earlier.

Third in this Walton sequence, American violist Paul Neubauer offers a shapely and perceptive interpretation of the Viola Concerto with the logical coupling of the late Hindemith Variations (Hindemith gave the first performance of the viola concerto) supplemented by equally glittering performances of the popular orchestral suites from Facade.

Download from MEGA:
https://mega.co.nz/#!t0pUlCSD!nilarSlOJlTPoNkCgkN_C3GHIcRd2409EHN9gIMpk_g
Download from ADrive:
http://www.adrive.com/public/PmJht8/Andrew-Litton-Walton-Orchestral-CD3.zip

7 comments:

guiller said...: Many thanks!!; 20 August 2014 at 13:27
Kolya said...: Thanks!; 20 August 2014 at 17:50
Vivelo said...: Very nice, thank you!; 22 August 2014 at 10:50
La Danse de Puck said...: Hadn't seen this! Lovely upload. Thanks so much.; 22 August 2014 at 13:29
Len said...: Great, thanks; 22 August 2014 at 17:15
meurglys0 said...: Thank you so much!; 26 August 2014 at 20:16
nzguy said...: https://mega.nz/#!t0pUlCSD!nilarSlOJlTPoNkCgkN_C3GHIcRd2409EHN9gIMpk_g; 24 February 2016 at 19:40