Meeting in Music: Summer Nights #4

Chat-Box Introduction Recent comments Ripping guide

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Following the guide below you will be able to create the ultimate HQ rip and upload for sharing here at the Meeting in Music Internet Community or on your own blog if you have one.

RIPPING A CD USING EXACT AUDIO COPY (EAC)

1. Start Exact Audio Copy and load the clean and scratchless CD into you drive.
2. Pressing ALT+G will pull track and album info from the FreeDB database if this feature is set up properly.
3. If no info is found the CD is not registered in the database and you will have to type in the info manually.
4. Adjust the Drive Settings according to the model of your drive and enable the ”Create Log-file” option.
5. Adjust the Compression Settings to rip in Flac format at 768 kBit/s. Alternatively rip in the Ape fomat.
6. Rip the CD by pressing Action -> Test & Copy Image & Create CUE Sheet -> Compressed...
7. Check the log-file to see if any ripping errors or AccurateRip inaccuracies were registered.

SCANNING THE COVERS OF THE ALBUM

1. Scans of the front and back covers should be included if available as should the booklet. 300dpi is standard.

COMPRESSING THE FOLDER USING WINRAR

1. Wrap the audio files and images in a folder marked the composer and album name etc.
2. Set Compression method to ”Store” and the volume size to 200000000. Add a 3% recovery record.
3. Compress the folder using a not-too-obvious filename.

UPLOADING TO A FILEHOST AND SHARING WITH THE WORLD

Now all you need to do is to upload the rar-files to a filehost of your choice. Mega.nz is the standard and most stable option but there are many others and some services even feature upload to multiple filehosts. Finally the download links are ready to be presented on your blog.

THE MEDIEVAL ERA (600 - 1450)

At around 500 AD, western civilization began to emerge from the period known as “The Dark Ages”, the time when invading hordes of Vandals, Huns and Visigoths overran Europe and brought an end to the Roman Empire. For the next ten centuries, the newly emerging Christian Church would dominate Europe, administering justice, instigating “Holy” Crusades against the East, establishing universities, and generally dictating the destiny of music, art and literature

During this time, Pope Gregory I is generally believed to have collected and codified the music known as Gregorian Chant, which was the approved music of the Church. Much later, the University at Notre Dame in Paris saw the creation of a new kind of music called organum.

Secular music was sung all over Europe by the troubadours and trouvères of France, and it was during the Middle Ages that western culture saw the arrival of the first great name in music, Guilliame de Machaut.

THE RENAISSANCE ERA (1450 - 1600)

Generally considered to be from c.1420 to 1600, the Renaissance (which literally means “rebirth”) was a time of great cultural awakening and a flowering of the arts, letters, and sciences throughout Europe.

With the rise of humanism, sacred music began for the first time to break free of the confines of the Church, and a school of composers trained in the Netherlands mastered the art of polyphony in their settings of sacred music. One of the early masters of the Flemish style was Josquin des Prez. These polyphonic traditions reached their culmination in the unsurpassed works of Giovanni da Palestrina.

The late Renaissance also saw in England the flourishing of the English madrigal, the best known of which were composed by such masters as John Dowland, William Byrd, Thomas Morley and others.

THE BAROQUE ERA (1600 - 1750)

Named after the popular ornate architectural style of the time, the Baroque period (c.1600 to 1750) saw composers beginning to rebel against the styles that were prevalent during the High Renaissance. Many monarchs employed composers at their courts, where they were little more than servants expected to churn out music for any desired occasions. The greatest composer of the period, Johann Sebastian Bach, was such a servant. Yet the best composers of the time were able to break new musical ground, and in so doing succeeded in creating an entirely new style of music.

The instrumental concerto became a staple of the Baroque era, and found its strongest exponent in the works of the Venetian composer Antonio Vivaldi. Harpsichord music achieved new heights, due to the works of such masters as Domenico Scarlatti and others. But vocal and choral music still reigned supreme during this age, and culminated in the operas and oratorios of German-born composer George Frideric Handel.

THE CLASSICAL ERA (1750 - 1820)

From roughly 1750 to 1820, artists, architects, and musicians moved away from the heavily ornamented styles of the Baroque and the Rococo, and instead embraced a clean, uncluttered style they thought reminiscent of Classical Greece.

At this time the Austrian capital of Vienna became the musical centre of Europe, and works of the period are often referred to as being in the Viennese style. Composers came from all over Europe to train in and around Vienna, and gradually they developed and formalized the standard musical forms that were to dominate European musical culture for the next several decades. The Classical period reached its majestic culmination with the masterful symphonies, sonatas, and string quartets by the three great composers of the Viennese school: Franz Joseph Haydn, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.

During the same period, the first voice of the burgeoning Romantic musical ethic can be found in the music of Viennese composer Franz Schubert.

THE ROMANTIC ERA (1820 - 1910)

The earliest Romantic composers were all born within a few years of each other in the early years of the nineteenth century. These include the great German masters Felix Mendelssohn and Robert Schumann; the Polish poet of the piano Frédéric Chopin; the French genius Hector Berlioz; and the greatest pianistic showman in history, the Hungarian composer Franz Liszt. The field of Italian opera was dominated by Giuseppe Verdi, while German opera was virtually monopolized by Richard Wagner.

Composers like Antonin Dvorak began looking for ways in which they could express the musical soul of their homelands. Legends were therefore used as plots for operas, and folk melodies and dance rhythms were frequently used as inspiration for symphonies and instrumental music.

With the continued enhancement of instruments, plus the invention of new ones, the late Romantic composers of the second half of the nineteenth-century created richer and ever larger symphonies, ballets, and concertos. Two of the giants of this period are the German-born Johannes Brahms and the great Russian melodist Peter Ilyich Tchaikovsky.

THE EARLY 20TH CENTURY ERA (1910 - 1960)

In the early part of the twentieth century music became either outwardly expressive (as in the early symphonic poems of Richard Strauss, the huge symphonies of Gustav Mahler, or the operas of Giacomo Puccini), or more introverted (as in the so-called “impressionist” music of Claude Debussy). The previous century’s tide of Nationalism found a twentieth century advocate in the Hungarian Béla Bartók.

In a time of deepening psychological awareness, the expressionistic music of Arnold Schoenberg and his disciples germinated and flourished for a time.

Twentieth-century music has seen a great coming and going of various movements, among them post-romanticism, serialism and neo-classicism in the earlier years of the century, all of which were practiced at one time or another by Russian composer Igor Stravinsky.

Many of the greatest and best-known composers of the century, including Russian composers Sergei Rachmaninov, Sergei Prokofiev, and Dmitri Shostakovich along with British composers William Walton and Benjamin Britten were those who wrote music directly descended from the approved models of the past, while investing these forms with a style and modernistic tone of their own.

THE LATE 20TH CENTURY ERA (1940 - 2000)

Composers of this era sought to free music from its rigidity, placing the performance above the composition. Similarly, many composers sought to break from traditional performance rituals by incorporating theatre and multimedia into their compositions, going beyond sound itself to achieve their artistic goals. In some cases the line is difficult to draw between genres. Composers were quick to adopt developing electronic technology. As early as the 1940s, composers such as Olivier Messiaen incorporated electronic instruments into live performance. Recording technology was used to produce art music, as well.

The musique concrète of the late 1940s and ’50s was produced by editing together natural and industrial sounds. Steve Reich created music by manipulating tape recordings of people speaking, and later went on to compose process music for traditional instruments based on such recordings. Other notable pioneers of electronic music include Edgard Varèse, Karlheinz Stockhausen, Luigi Nono, and Krzysztof Penderecki.

As more electronic technology matured, so did the music. In the 1950s aleatoric music was first championed by American composer John Cage. Early minimalist compositions of the 1960s such as those by Terry Riley, Steve Reich, and Philip Glass stemmed from aleatoric and electronic music.

THE CONTEMPORARY ERA (from 1975)

In the broadest sense, contemporary music is any music being written in the present day. In the context of classical music the term has been applied to music written in the last quarter century or so, particularly works post-1975. Minimalism was practiced heavily throughout the latter half of the century and has carried over into the 21st century, with composers like Arvo Pärt, Henryk Górecki and John Tavener working in the more popular “mystic minimalism” variant.

Recently there has been increasing stylistic variety, with far too many schools of composition to name or label. However, in general, there are three broad trends. The first is the continuation of modern avant-garde traditions, including musical experimentalism. The second are schools which sought to revitalize a tonal style based on previous common practice. The third focuses on non-functional triadic harmony, exemplified by composers working in the minimalist and related traditions.

8/19/2014

Summer Nights #4

111... 109, 110, 96, 126, 119, 102, 127, 92, 90, 131 and of course 125!
Mostly glimpses of Beethoven's later masterpieces in some of my favourite recordings. Those magic numbers which mean a lot to me and to music lovers of the World, ever since they were associated to these immortal works of art...

Plus, the most popular Wind Quintets of the Classical period and my beloved Grumiaux/Haskil duo in Mozart's greatest Violin Sonatas.

Ludwig van Beethoven
Bagatelles

Esteban Sánchez, Piano

Ensayo 9730 (1970)

Ludwig van Beethoven

Quintet Op. 16 in E-Flat Major

Wolfgang Amadeus Mozart

Quintet K. 452 in E-Flat Major

Ensemble Wien-Berlin

(H. Schellenberger, Oboe, K. Leister, Clarinet,

G. Högner, Horn, M. Turković, Bassoon)

James Levine, Piano

DGG 418 785-2 (1987)

Ludwig van Beethoven

Cello Sonata Op. 69 in A Major

Cello Sonata Op. 102 No. 2 in D Major

Leonard Rose, Cello

Eugene Istomin, Piano

CBS MK 42398 (1969)

Ludwig van Beethoven
Piano Sonata Op. 53 in C Major "Waldstein"
Piano Sonata Op. 57 in F Minor "Appassionata"
Piano Sonata Op. 90 in E Minor

Barry Douglas, Piano
RCA 61280 (1991)

Ludwig van Beethoven

String Quartet Op. 127 in E-Flat Major

String Quartet Op. 131 in C-Sharp Minor

Cleveland Quartet

Telarc 80425 (1995)

Ludwig van Beethoven

Piano Sonata Op. 109 in E Major

Piano Sonata Op. 110 in A-Flat Major

Piano Sonata Op. 111 in C Minor

Mitsuko Uchida, Piano

Philips 475 6935 (2005)

Ludwig van Beethoven

Violin Concerto Op. 61 in D Major

Violin Sonata Op. 96 in G

Pinchas Zukerman, Violin

Marc Neikrug, Piano

Los Angeles Philharmonic

Zubin Mehta

RCA 61219 2 (1992)

Ludwig van Beethoven

Symphony No. 5 Op. 67 in C Minor

Symphony No. 7 Op. 92 in A Major

Philharmonia Orchestra

Christian Thielemann

DGG 449 981-2 (1996)

Wolfgang Amadeus Mozart
Violin Sonata K. 378 in B-Flat Major
Violin Sonata K. 304 in E Minor
Violin Sonata K. 376 in F Major
Violin Sonata K. 301 in G Major

Arthur Grumiaux, Violin
Clara Haskil, Piano
Philips 412 253-2 (1958)

Wolfgang Amadeus Mozart
Violin Sonata K. 454 in B Minor
Violin Sonata K. 526 in A Major

Arthur Grumiaux, Violin
Clara Haskil, Piano
Philips 416 478-2 (1956)

Ludwig van Beethoven

Symphony No. 9 Op. 125 in D Minor "Choral"

Benita Valente, Soprano, Margaret Yauger, Mezzo-Soprano
Francisco Araiza, Tenor, Guillermo Sarabia, Bass
University of Vera Cruz Choir
Orquesta Sinfónica del Estado de México

Enrique Bátiz

Concerto Digital Classics Object Ent. OQ0007 (1987)

Ludwig van Beethoven

String Quartet Op. 95 in F Minor
String Quartet Op. 127 in E-Flat Major
String Quartet Op. 130 in B-Flat Major
Grosse Fuge Op. 133

String Quartet Op. 131 in C-Sharp Minor
String Quartet Op. 132 in A Minor
String Quartet Op. 135 in F Major

Takács Quartet
Decca 470 849-2 (2003)

Ludwig van Beethoven

Symphony No. 9 Op. 125 in D Minor "Choral"

Joan Rodgers, Soprano, Della Jones, Mezzo-Soprano
Peter Bronder, Tenor, Bryn Terfel, Bass
University of Vera Cruz Choir
Royal Liverpool Philharmonic Choir and Orchestra

Charles Mackerras

EMI EMX-2186 (1991)

Wolfgang Amadeus Mozart
Piano Concerto No. 9 K. 271 "Jeunhomme"
Carl Maria von Weber
Clarinet Concerto No. 2

Leon McCawley, Piano
Michael Colllins, Clarinet
BBC Philharmonic
Adrian Leaper
BBC MM46 (1996)

Wolfgang Amadeus Mozart
Divertimento in D K. 136
Divertimento in B-Flat K. 137
Divertimento in F K. 138
Serenade in D K. 239 "Serenata notturna"

I Musici
Philips 412 120-2 (1983)

Courtesy of Enrico B.

Ludwig van Beethoven
The Cello Sonatas

Mstislav Rostropovich, Cello
Sviatoslav Richter, Piano
Philips 412 256-2 (1961)

Ludwig van Beethoven
Piano Concerto No. 2 Op. 19 in B-Flat
Piano Concerto No. 4 Op. 58 in G

Rudolf Serkin, Piano
Boston Symphony Orchestra
Seiji Ozawa
Telarc CD-80064 (1984)

Ludwig van Beethoven
Piano Sonata No. Op. 31 No. 1 in G Major
Piano Sonata No. Op. 78 in F-Sharp Major
Piano Sonata No. Op. 79 in G Major 'Alla tedesca'
Piano Sonata No. Op. 81a in E-Flat Major 'Les Adieux'
Piano Sonata No. Op. 90 in E Minor
Piano Sonata No. Op. 101 in A Major
Piano Sonata No. Op. 106 in B-Flat Major 'Hammerklavier'
Piano Sonata No. Op. 111 in C Minor

Walter Gieseking, Piano
Arkadia 78562 (1949)

Ludwig van Beethoven
Piano Sonata No. Op. 101 in A Major
Piano Sonata No. Op. 109 in E Major
Piano Sonata No. Op. 111 in C Minor

Walter Gieseking, Piano
Dante HPC 129 (1939-1940-1947)

Ludwig van Beethoven
Symphony No. 3 Op. 55 in E-Flat Major 'Eroica'
Symphony No. 8 Op. 93 in F Major

Cleveland Orchestra
Lorin Maazel
CBS MK 45535 (1979)

Ludwig van Beethoven
Bagatelles Opp. 33, O52, O56, 119, 126

Rudolf Buchbinder, Piano
Teldec apex 0927-40820-2 (1977)

Ludwig van Beethoven

Symphony No. 9 Op. 125 in D Minor "Choral"

Mary Dunleavy, Soprano, Elizabeth Bishop, Mezzo-Soprano
Stephen Gould, Tenor, Alastair Miles, Bass
Atlanta Symphony Orchestra and Chorus
Donald Runnicles

Telarc 80603 (2003)

Ludwig van Beethoven
Piano Sonata Op. 57 in F Minor "Appassionata"
Piano Sonata Op. 111 in C Minor

Roger Woodward, Piano
LP Rip - RCA RLL1 5016 (1973)

Ludwig van Beethoven

Piano Concerto No. 1 Op. 15 in C Major
Piano Concerto No. 4 Op. 58 in G Major

Lang Lang, Piano
Orchestre de Paris
Christoph Eschenbach

DGG 00289 477 6719 (2007)

Ludwig van Beethoven

String Quartet Op. 59 No. 3 in C Major 'Razumovsky'

String Quartet Op. 131 in C-Sharp Minor

Quartetto Italiano
Philips 2890 180 re-released as Amadeus 004 (1969)

Ludwig van Beethoven

Violin Concerto Op. 61 in D Major

Romance No. 1 Op. 40 in G Major
Romance No. 2 Op. 50 in F Major

Anne-Sophie Mutter, Violin

New York Philharmonic

Kurt Masur

DGG 471 633-2 (2002)

Ludwig van Beethoven

Violin Concerto Op. 61 in D Major

Henryk Szeryng Violin

Concertgebouw Orchestra

Bernard Haitink

LP Rip - Philips 6500 531 (1974) - Courtesy of Enrico B.

Ludwig van Beethoven

Piano Concerto No. 4 Op. 58 in G Major
Frédéric Chopin
Piano Concerto No. 2 Op. 21 in F Minor
Robert Schumann
Piano Concerto Op. 54 in A Minor

Guiomar Novaes, Piano
Wiener Symphoniker
Otto Klemperer

Vox Legends 5501 (1951-1956-1962)

Flac & Scans

46 comments:

Davide said...: Beethoven Bagatelles for Piano Sanchez 1970
https://mega.co.nz/#!9Fxi1TLa!CEUlayKAW7zNRVBaNii8Br3v-zlnytRRwDYcyQKE5B8

Beethoven & Mozart Wind Quintets Levine & Ensemble Wien-Berlin 1987
https://mega.co.nz/#!INokXQJS!fX9AD2Ulj6dv1qvXeRCGKEkYp8zs7xka9hQkFkvEjC8
Beethoven Cello Sonatas Op. 69 & 102 No. 2 Rose & Istomin 1969
https://mega.co.nz/#!AAAjXSQY!ksPQ3q13ydSqAP9FZXu3xNTq5W759jI6FPf6StYs6tE

Beethoven Piano Sonatas Op. 53, 57, 90 Douglas 1991
https://mega.co.nz/#!pA5nzYSB!_bTEE0EIuE8YmKfmYYz6ubouFktHrwsZrB6w-V5DA98

Beethoven Quartets Op. 127 & 131 Cleveland Quartet 1995
https://mega.co.nz/#!8FxDnCbQ!Q-RxDgO2pZrfi-rABBNEbuwlhBkYNTqOcwFEdZ1C1ng

Beethoven Sonatas Op. 109, 110 & 111 Uchida 2005
https://mega.co.nz/#!oUo0gAgQ!orxUIx8AHC6bSwmk3sjJ3njkldC1RmB8-InrztIU-ec

Beethoven Violin Concerto Zukerman & Mehta 1992
https://mega.co.nz/#!wYYwRYyY!slR8JYAandO-hoMj0iU2XtOlGY9GEzFmrLeGTeCsftw

Beethoven Symphonies Nos. 5 & 7 Thielemann 1996
https://mega.co.nz/#!gIxSWbwZ!d2G_65aUvR3d_u5UNAh5JRLGWkeDudeC15bCSEjwFEE; 19 August 2014 at 08:23
Davide said...: Mozart Violin Sonatas K. 301, 304, 376, 378 Grumiaux & Haskil 1958
https://mega.co.nz/#!0QBlWLgT!Mwx24H_-LIa1ukMfkKvQZjnv6BDQigEh09GmXt8a-Hs

Mozart Violin Sonatas K. 454 & 526 Grumiaux & Haskil 1956
https://mega.co.nz/#!kEIlhTCA!TVyImSVlITvsRw17-OBowmZyms49nf8ZXghi5KqXOlI; 19 August 2014 at 08:23
enre said...: Anche dalle tue meravigliose ferie non demordi e ci "costringi" ad ascoltare ascoltare e ancora, e noi non ci stancheremo mai di farlo!!!
Grazie Davide!; 19 August 2014 at 08:52
Davide said...: Grande Enrico! Pensa, ad esempio, all'inizio della Op. 110 al tramonto...; 19 August 2014 at 09:04
enre said...: Si Davide, quale migliore connubio tra vista udito e mente?!
I veri sentimenti....; 19 August 2014 at 10:32
wlwmulvihill said...: Wow! What a wonderful feast of the classic German fare! Don't mean to seem greedy or ungrateful, but do you have the Hagen Quartet's out-of-print Op. 131 on DG?

Many many thanks for all your wonderful uploads.; 19 August 2014 at 11:51
micpro said...: Davide

Thank You very much for these wonderful uploads. I like very much when you list multiple cd's and lp's.
Greetings from Canada
Michel / micpro; 19 August 2014 at 15:10
Jazzer said...: Davide, Lovely stuff. I am particularly enjoying the Bagatelles. A rather refreshing version.; 19 August 2014 at 15:21
Davide said...: Dear wlwmulvihill and micpro, my pleasure. Thank you!

Jazzer, yes, the great pianist from Extremadura, E.S. was a very sensitive, elegant performer. And I love the late, amazing, groundbreaking Bagatelles!; 19 August 2014 at 15:48
Kolya said...: Ah, davide, you've done it again! I tend to think I have a large and varied collection, then you do a post such as this, and I find I don't know 8 out of 10!

I'm especially looking forward to the Grumiaux-Haskil Mozart. I've always liked both performers, but didn't know they even did these together! Thank you!; 19 August 2014 at 16:03
jeanluca said...: Ciao Davide, volevo ringraziarti per l'eccezionale qualità delle tue scelte discografiche e per l'incredibile lavoro che profondi per chi ti segue su questo blog!
Posso farti anche una richiesta: hai anche le altre incisioni beethoveniane del cleveland Quartet, in particolare i quartetti cosiddetti medi?
Grazie di cuore!; 19 August 2014 at 16:30
Davide said...: Ah, dear Kolya, so happy to have offered new material to such a great and knowledgeable music lover like you!

Grazie Gianluca! Non so se altri CD del Beethoven di Cleveland, controllerò quando torno a casa a inizio settembre.

wlwmulvihill, I'll check whether I have the Hagen 131 once back from the holidays in September. Thank you.; 19 August 2014 at 20:26
wlwmulvihill said...: Thanks, Davide. Someone at intoclassics.net has been posting some vintage live performances from Gulda, Arrau, Backhaus, and Richter in very good sound. All of it is really marvellous stuff!

http://intoclassics.net/news/0-0-0-0-17-4778; 20 August 2014 at 02:47
Classical Music Fan said...: Thank you Davide, for this and for the previous summer nights that we've been privileged to share with you. This is a wonderful series!; 20 August 2014 at 04:18
theblueamos said...: One of the pleasanties of jerusalem summer evenings,is to come home from work,open the windows,and let the cooler air breeze through the rooms,reviving skin and spirits. The "Mechaiye" is even greater,if one can at the same time,listen to Estaban sanchez,bagatelle beethoven,or have the contemplative Mitsuko Uchida play Ludwig vans three last piano sonatas.We say "Machen a leben"!!
The only problem is that there are too many people,out there,who instead of doing just that,insist on using up their,Gun powder.Just so they can manufacture some more for tomorrow's warm day.Crazy summer days.; 20 August 2014 at 08:06
theblueamos said...: Forgot to say thank you.Thank you david!; 20 August 2014 at 09:29
Davide said...: Shalom tba, lovely thoughts, as always... love to the magic, immortal town from the bottom of my heart.; 20 August 2014 at 09:35
Davide said...: Thank you, dear wlwmulvihill, I'll look into it asap!; 20 August 2014 at 09:36
theblueamos said...: Thank you for the Cleveland and Levin Very fantastic; 21 August 2014 at 12:51
Vivelo said...: Thanks a lot, Davide! Wonderful as always! And very sorry for theblueamos...if you could visit Brazil you'd find both sides sitting at the table, talking as friends, living together in peace. It could increase your hope - better times are possible...; 22 August 2014 at 11:03
Davide said...: You are among my best friends, dea tba and Vivelo... nice thoughts. Thank you.; 22 August 2014 at 18:41
guiller said...: Tante grazie, caro Davide!!!; 9 September 2014 at 22:22
Davide said...: Beethoven Symphony No. 9 Bátiz
https://mega.co.nz/#!lFxTQQhQ!EL4WJ4IEKL5KB6INFsxqvAeEpKCXbpQfk9C9W2IPZYI; 15 October 2014 at 12:52
Vivelo said...: Fabulous, thanks!; 16 October 2014 at 20:16
Davide said...: Beethoven The Late String Quartets Takács Quartet 2003
https://mega.co.nz/#!AYRz3SDI!8RCA6g5cCjo9HMCxRhcZKeyxBtFE67AopKtdO224vTY; 26 November 2014 at 20:02
Davide said...: Beethoven Symphony No. 9 Mackerras 1991
https://mega.co.nz/#!wEoECDJQ!dAye97fg0ZyUfYC_M6c_uMNKhYwdEh-TWGkyGilgFGc; 28 February 2015 at 11:31
Davide said...: Mozart Piano Concerto No. 9 'Jeunhomme' McCawley & Leaper 1996
https://mega.co.nz/#!0F4FkLTK!HJhco43SJ5IeODi1OPt3sn2nu84uVJ5Ez7neCyxI_LU; 7 April 2015 at 14:43
Vivelo said...: Thank you!!; 7 April 2015 at 19:34
Davide said...: Mozart Divertimenti & Serenata Notturna I Musici 1983
https://mega.co.nz/#!FIRBSCDJ!FKq5tstMlpKMS8fZ4AHU7WG8ag8PmjShXlSNkK1oyt8; 16 April 2015 at 11:20
Vivelo said...: Thanks again!!; 16 April 2015 at 13:24
Anonymous said...: fortunatly they are dead, is much to heavy to pick out the wanted stuff

and maybe i just have to calibrate my browser, but the letters are to small to read the links

but: enjoy your days; 1 September 2015 at 11:04
Davide said...: Beethoven Cello Sonatas Rostropovich & Richter 1961
https://mega.nz/#!lAgSWDrQ!pjAAakXulAg-KsH5qMZfsgQEMn1wPU8drDZ7dM50ulo

Beethoven Piano Concertos Nos. 2 & 4 Serkin & Ozawa 1984
https://mega.nz/#!lQZHBRIa!xogyeNUzO6HUywUKKbZWyJiKSFdiwNN6YKDOCVgu2i0

Beethoven Piano Sonatas Gieseking 1949
https://mega.nz/#!1RZCQbyC!SOK3Y6N4-OFFod_MbKxsOmBYWl3b_dZzxdhJsPTtI2s

Beethoven Piano Sonatas Nos. 28, 29,32 Gieseking 1947
https://mega.nz/#!oQAiwbZa!_LlpQWotoVYJY4LIMZC5xCPFvbEdrHYo0RguYL3FmVo

Beethoven Symphonies Nos. 3 & 8 Maazel 1979
https://mega.nz/#!9RgSCSpQ!d96tzfYW5q4qdivLflfTLsmq9HaWi2uqbVeqXAeaGg8

Beethoven Bagatelles Buchbinder 1977
https://mega.nz/#!RAxVyBgT!pOPkUqeyswiIm_HmBGMb3gF4bg4sr_qb3Yvl-I5YC9M; 4 December 2015 at 16:21
gustavo rance said...: Thanks for Beethoven Piano Concertos Nos. 2 & 4 Serkin & Ozawa 1984.; 5 December 2015 at 11:53
Davide said...: Beethoven Symphony No. 9 Runnicles 2003
https://mega.nz/#!5B4HjJLC!ovXgXn_ShIZdbu5R6ta2YS3iw68XZVIa-83lkWyZ3BQ; 4 January 2016 at 12:55
Davide said...: Beethoven Piano Sonatas Op. 111 & 57 'Appassionata' Woodward 1973
https://mega.nz/#!Yc4TGAbD!KYZsaAmv-T7dfiZdmVYCCxwxHHNYfFXJXpaPVEvQtbc; 27 January 2016 at 12:07
RMK said...: Sadly, track 2 of Woodwards album starts to skip at around 6:30... :(; 7 February 2016 at 22:45
Davide said...: Sorry about that, RMK!I have fixed it now, here's the new upload below.; 8 February 2016 at 16:04
Davide said...: Beethoven Piano Sonatas Op. 111 & 57 'Appassionata' Woodward 1973
https://mega.nz/#!BYwhmCpJ!kMv5PpMN6ajIb5OBQBXMMuifGk78WJklnuG05_zlbjQ; 8 February 2016 at 16:04
Davide said...: Beethoven Piano Concertos Nos. 1 & 4 Lang & Eschenbach 2007
https://mega.nz/#!lRhkzK5C!yXuWTciVzoxtmRqjgKuwGEuawXAMObmzDcj40xcMUhY

Beethoven String Quartets Nos. 9 & 14 Quartetto Italiano 1969
https://mega.nz/#!xBBgyBrA!_3ZwjEtorsN9TkCjUJotA1b1QCGd_rUmklNI-6I2xjE

Beethoven Violin Concerto Mutter & Masur 2002
https://mega.nz/#!wMIxlQLC!KvRY10Q3rtZw7mfYlKerhLvimD5LNC-opla8gsUZw8c

Beethoven Violin Concerto Szeryng & Haitink 1974 (Enrico B.)
https://mega.nz/#!9BoF0BLD!ZE2r053zkPcd_D3Gk6uGiu3x0oZmoaRMOzAGorXrjLw

Beethoven, Chopin, Schumann Concertos Novaes & Klemperer 1962
https://mega.nz/#!AVxAWbyZ!AA-6ifU9gShcPsga0B-4Scr0NaQ3sjUmoMcGNjwirHI; 16 July 2016 at 11:27
Bill said...: Good God man! You are spoiling all of us. I can't hope to compete..... I have taken your advice and tried to reupload some peoples' requests but others have always beaten me to it. Not to mention I must first find the recording amongst a few external hard drives. Anyhow, thank you from the bottom of my heart. Ever since I was 10 and heard my first Beethoven (Symphony No 3) I have loved him continually. I heard No 3 on the radio at work yesterday and stopped what I was doing and listened to the entire piece without moving. I received some strange looks.....Once again it reminded me of my youth and love for Mr. B. Thank you SO much "Dear Davide". A moniker well earned.....; 16 July 2016 at 17:26
Davide said...: You are an angel, dear upkerry!; 17 July 2016 at 00:29
Bill said...: Really enjoyed the Enrique Bátiz Beethoven 9th. I even had the nerve to conduct the finale to my three dogs (they say I am a good conductor :)thanks again!; 17 July 2016 at 16:29
Davide said...: Animals understand music more than we think, dear upkerry, so you must have good conducting skills - I reckon!; 17 July 2016 at 23:14
Clutch Needy said...: Thank you for Beethoven. I had no use for classical when I was young, but that guy moves me now.; 5 February 2023 at 20:14
deodac said...: Thank you very much for the Guiomar Novaes Album, Davide!; 7 November 2025 at 20:06
MMusicbox Record Club said...: Obrigado; 28 May 2026 at 13:01